Acknowledgments List of Acronyms Introduction 1. Competitive Memory in the Great Lakes: Touring Genocide 2. Marketing Trauma and the Theatre of War in Northern Uganda 3. Trauma, Inc. in Postgenocide Rwanda 4. Repetition, Rupture, and Ruined: Narratives from the Congo 5. Gifted by Trauma: The Branding of Post-Conflict Northern Uganda 6. Confessions of a Failed Theatre Activist Afterword: Faustin Linyekula and the Labors of Hope Bibliography Index
What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.
Laura Edmondson is Associate Professor and Chair of the Department of Theater at Dartmouth College, where she is also affiliated with African and African American Studies. She is author of Performance and Politics in Tanzania: The Nation on Stage (IUP).